Diana Sofia Lozano

Refulgent Shadows // Erythroxylum Camouflage, 2024

CORAH, 2023

Heuristic Ecologies // El Misterio de La Millonaria, 2023

Perennial Pyromancy, 2023

The Sweetness of the Hold, 2021

Poisoned Well II, 2021

Pyrokinesis, 2021

Convex Cues, 2022

Epiphytic Pairing, 2023

Defensive Masquerade, 2021

Suspended in the Iris, 2021

A Fruiting Body Is Responsible for Which of the Following, 2023

My Body is Covered in Galls, Each One a Measure of the Many Ways I Will Behave Without Moral Principles, 2021

Palingenesis (indeterminate phase), 2020

Summer, 2021

Veritable Becoming (intermediate phase), 2020

Untitled, 2020

Orchid Sports II, 2020

Winter, 2021

Play Fight, 2019

Spring, 2020

New Lovers, 2019

Blossom Stages Chandelier, 2019

Monstera Raver, 2019

Nectar Sweet, Pitfall Trap, 2019

Huntington Gardens (Diva), 2019

Christus-Krone, Chrisus-Strauss, 2019

Orchid Sports I, 2019

Diana Sofia Lozano (b.1992, Cali, Colombia), is an artist based in Brooklyn, NY. Her work uses the language of botanical hybrids; the naturally occurring, genetically modified, and the imagined. Lozano presents biomimicry as metaphors for identity construction at the intersections of gender, sexuality, and the politics of difference.

She is interested in the deconstruction of botanical taxonomic failures in order to reveal and redefine the boundaries of colonial identificatory practices and geopolitical borders.

Lozano has exhibited at Company Gallery, Wave Hill Gardens, Deli Gallery, Rachel Uffner Gallery, and Proxyco Gallery in NYC, Guerrero Gallery in San Francisco, New Image Art in Los Angeles, Casa Prado in Barranquilla Colombia, Örebro Konsthall in Örebro Sweden, Parallel in Oaxaca Mexico, Arto Kyoto in Kyoto Japan, and Capsule Gallery in Shanghai China, among others.

Lozano is a 2021 MFA Graduate from Yale University.

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dslozanostudio at gmail dot com @_lloraras_